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quadrilaterals need not attend

quadrilaterals need not attend

Hi, if you are interested in taking a look at this or distributing around.

Basically a show I have generated of Artworks/ Sculpture generated from found recycled materials.

Information is here on the attached flyer and more can be seen at saltandwood.com

Best regards and thanks.

Liam Noble

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An LP record stand to show off the cover art, protect it from the daily hazards and always know where you left it! This single hardwood plank (species unknown) was surprisingly dense and though looked to have been in the sea for a year was still fairly sound over all. For some reason one face had eroded in a more furrowed way than the other. I kept the smoother bleached out side exactly as found (became rear face of stand) and worked the furrowed face.

 The process

-Trim the ends

-Scrub down with a brush

-Paint base coat to the furrowed side

-Sky blue spray paint coat to furrowed side

-Sand back newly painted face leaving the paint to seal the cracks and some timber grain is revealed

-Section plank into three equal lengths, two for the face and one to be dissected origami style to generate legs, rear shelf and lift grip (refer sketch diagram)

-I crafted a joining biscuit from a bit of scrap 3 ply and routed a groove to fix the two face sections and then screwed the leg supports to flatten and secure the face.

-Drill and place brass rod supports (found a length of this in the street).

-Add SALTANDWOOD stamp and varnish select surfaces to generate contrast to preserve as found faces.

THIS ITEM HAS SOLD

 

 

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This is the end scrap of a laminated timber post that I pulled out of a skip bin. It already embodied loads of character with pre pencil rounded edges, laminated striping and zig zag joins. I applied some simple cross cut ideas to yet another CD stand. Utilising no other elements but the post itself to generate the functioning sculptural body. The rest was finishing the timber to bring out the colour and texture. It has an ink stamp on the side and a pressure stamp added to the base. The separate bits were glued and then I dropped a few long countersunk screws up through the base to ensure a 1000 year shelf life.

 

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I know I know who listens to CDs anymore? Well me and besides they are the new retro item after LPs! And making these stands is strangely addictive. In this case the third element of the resting pins has been deleted by arranging the legs such that they also do the job of supporting the CD for display of cover art and always knowing where the cover is. ITEM 72 is formed from a chunk of hardwood found washed up on the beach and a piece of ply that looked like it came off a yacht judging from the type of varnish it retained. I sanded and varnished one face of the block retaining the other 5 surfaces as found and cut slots for the legs I cut out of the ply scrap. And voila, ITEM 72.

 

 

 

 

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So no ITEM produced here, just sharing some of the SALT AND WOOD experience! In this case a kind of ‘day in the life’ picture summary of the strange and interesting things one encounters when hunting about for materials for a next project.

“There is a pleasure in the pathless woods, There is a rapture on the lonely shore, There is society, where none intrudes, By the deep sea, and music in its roar: I love not man less, but nature more”.

Rochdale ^18  Childe Harold’s Pilgrimage, canto 4, stanza178.

 

 

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Compiled from street found lamp fittings, a retro Australian made (*439 DÉCOR Australia) orange plastic flowerpot and flotsam washed up around Sydney Harbour. The blue parts look like they might have been some sort of packing palette, the legs and edge trim look like they are probably fittings broken from a yacht. The rudder (I couldn’t resist) was cut from a ply panel again most likely off a yacht or cruiser. Angled legs and curved corners and it all culminated in this fun little sculpture/ complimentary colour lamp/ phone  and wallet spot!

 

 

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This very dense block of hardwood (maybe Eucalyptus?) was discovered hiding deep inside the rocks of a wave break wall. After a month or so of drying in the sun I cut away the top surface and one end to reveal the grain. The whole unit was split long ways from the base so a series of timber pegs were employed to cross dowel the block. To enhance the sense of the maritime, a simple long slot was cut along the front and back face. Something like the Plimsoll Line of a ships hull (http://99percentinvisible.org/episode/episode-33-a-cheer-for-samuel-plimsoll/). The area below the line sanded and painted. The areas above the line left as the day they were found.  A router was used to cut simple slots in the base into which rail legs were fitted. The legs were restored from timber salvaged from discarded garden furniture. The lampshade was found on the streets of Newtown and a shower rod end was used to mount it in the deck. The red cord was purchased in Copenhagen a year ago and the plug end is new. Add some light fittings (street recovered) and voila the Cargo Lamp.

 

 

 

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This small simple sculpture is a continuation from Item 61: Now Playing LP. A combination of some street found fine brass rod and a cube of character packed timber and remnants of a Chinese shrine washed up on a Sydney beach.  The cube was brushed all round and sanded on 2 sides with only the face being finally sealed to bring out the peculiar end grain. The beauty of it for me is the not knowing what construction project this little cube is a bi product of or where in the world it floated here from or even what species of tree it is derived from.

 

THIS ITEM HAS SOLD

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Same same as 66 but different, this was a piece of flotsam recovered at Botany Bay. Presumably a fitting from a luxury cruiser or a yacht, the paint was selectively removed to reveal this impressive timber. Simply sanded and varnished with a slot cut along its length it becomes a means to compile all the odd bits of notes. Pictured, cards, reminders etc that sit around your side bench.

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This little stick of timber held so much character between its surprising density to its rich colour to the black divot and shiny polished off steel nail remnant that it became its own object. Simply sanded and varnished with a slot cut along its length it becomes a means to compile all the odd bits of notes. Pictured, cards, reminders etc that sit around your side bench.

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A section of eucalyptus flooring became the mid shelf with various bits of a discarded wardrobe utilized to make a hidden base drawer. And angled legs cut from a little plank recovered at the beach. Probably the most interesting feature is the pattern created by some type of wood worm on the inside face. I spray painted this blue then sanded it back to highlight this alien language. Another original feature was the use of Perspex as a backing panel. Cut from a broken sheet I found on my street it introduces a fantastic light quality to the unit. In addition to this light play is the mid shelf being deliberately off set from the rear of the unit to allow light to be evenly spread over the inner rear face. Note also the integration of the restored old school wooden ruler as the back edge to the mid shelf. And the restored/ reshaped corner of the old drawer face. Some old boy had resin bogged a rough corner on years ago and I was able to sand and polish this resin to reform a perfect little corner with all the detail of the resin and previous paint.

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A simple well-balanced boat employing a sand and water filled bottle as ballast and hull. A wind rudder (the white foam) is situated over the bow area to assist in pushing her straight. Apart from this there was a wide plywood deck and some bits of a paddle ski (or something?) that gave her some interesting ‘skimming’ qualities as she moved over the water.

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After the surprising success of ‘ITEM 17 Now Playing’ comes ITEM 61 Now Playing LP. Item 17 was a CD case display that turned out to be very handy and commented on with approval by many! I was subsequently on the lookout for an appropriate piece of drift or street wood to do an upscale version for LPs.

 

I came across this wedge of tree trunk, chainsaw cut on the perfect angle with the heart wood core creating a great form across the face (looks a bit like the soccer world cup trophy). The sides were hit with a stiff brush only and the face orange spray coloured then sanded back. Some dry rot was drilled out and wax filled in black and orange. Two holding pegs were doweled into the final varnished face. Much work went into a base stand that in house design control advised against using in the end. Even more so than CDs it is an opportunity to display album cover artwork as a rotating exhibition.

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Lengths of street recovered hardwood decking were re purposed into a bathroom window fascia and in the process of mitering the corners I ended up with all the character packed little triangles of various sizes. It was almost impossible not to fiddle with them and keep reconfiguring them into little arrangements and stacks. I shttps://saltandwood.wordpress.com/?p=1230&preview=trueoon realized they were worthy of being there own item. I varnished the face and painted one edge white.

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Its been a while between boats but managed to throw this clunker together over the Easter weekend at a cracking Autumn day down at Yarra Bay. Followed by a swim. No great new triumphs of technology to reference here. But she sailed well and zigzagged out beyond sight quite quickly. Zigzagging as the rudder setting and sail alignment competed for dominance. Named by my son for the number of snags I hit in trying to put it together.

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